Burdastyle Entry

I made it into the top 50 in the Burdastyle competition!  There were around 160 entries, but the realistic side of me thinks that I was included because not everyone followed the entry directions correctly ;) 

Take a look at my entry here.

And here are some of my favourites:  nyphertiti's Halston dress, Chartreuseant's '30s gown and Mixiltii's '50s dress,. 

On set with Barry and Shashi

My cousin Barry Muise and our friend Shashi Singam were setting up a new studio and trying out the lighting, so they agreed to do some free shots for me to enter the Bernina competition.  Consider it a little payback from letting them use our dilapidated barn a couple of times for photo shoots. 

With my man out of town, luckily my little guy was willing to step in (well, lie in) and play the part of Colin Firth.  One set of 3D glasses with the lenses popped out...and....done!

One of the only shots without closed eyes, tongue out, weird red face from laughing too much....you get the idea.  I guess I'll never fulfill my dream of being an international supermodel.  That's why I had to settle for jet-setting international super-scientist.  Sigh. 

A Single Man Dress - Complete!

So, 11pm on a Friday night, after a long week of overtime and looking after the kids....A Single Man Dress is done!  (please ignore the tired eyes + flash pics) 

I used double knit ponti di roma for the body of the dress, the cape and the white block.  The cape is lined with an unknown white synthetic (a Village des Valeurs find for $3).  I was originally thinking of using a wool or wool blend, but then I remembered how insanely itchy wool makes me and I knew I would never wear it, no matter how great it looked.  After a few attempts at insetting the white block, I realized I was waaaay out of my (sewing) league.  There was just too much puckering.  I decided to topstitch a double layer of the white ponti di roma to the front, which worked much better.  The cape was attached at the shoulder seams with small loops of black fabric and four vintage black buttons.     

I'm getting some professional shots done tomorrow.  Having a cousin who is a commercial photographer can certainly come in handy!  I'll post them when we're done. Good night all.



I feel like I've joined a secret club

We went to an estate sale this weekend that was described as "car, house and entire house contents including piano, furniture, antiques, tools and fabric, etc."  When we arrived, I discovered that the woman had been a dressmaker and had a dedicated sewing room full to the brim!  From the looks of her supplies, she must have been working from about the 1960s-1990s, and there are still a few unfinished projects hanging on the walls.

Looking through her closet was like an archeological dig through strata of fabric: on top were the cheaper synthetics and cottons from the '80s-'90s; further down were the linens and blends; deeper still were the formal fabrics (satins, silk linings, matching zippers) and finally at the very bottom were the silks and wool suiting.

While sorting into "buy" and "leave" piles, I chatted with several women who came to take a look.  They lamented the fact that few people make things anymore and how hard it was to find a good dressmaker (and this in Montreal!)  We examined all the lovely textiles and compared guesses as to the content of some blends.  We talked about what could be made from some of the yardage we found.  One woman even tentatively asked me if I was a dressmaker, since she was looking for someone to make some items for her.  I had to disappoint them by telling them how novice I am! 

When I was packing up to leave, the woman in charge of the estate sale approached me with a note.  She had written her name and phone number for me.  Holding up her arthritic hands, she told me that she used to be a tailor, but could no longer sew, and would I be interested in all her supplies?  "Give me a call sometime, and you are welcome to everything you like, for free of course."  And she gave my bags of fabric a cursory look and asked for $40 for the lot (around 100 metres in total). 

Synthetics.  I am so loving the print on the far left, dated 1972.

Linen and cotton.  That op art lilac number has my name all over it. 

Silks.  The chinese style in red was from Hong Kong (it was wrapped), the floral is crisp and lovely and the silvery-grey is much nicer than you can see in the photo.

That cream coloured wool is already earmarked for a sheath dress with matching jacket.

Muslin for A Single Man (the dress, I mean)

So rather than trying to find and order a pattern that matched the Single Man Dress in time for the contest, I went to an old pattern I have used a few times before to act as a block.  

It's been a while since I used this pattern.  Ten years and two kids to be exact. 

Hence the grading up a size and the bust point modification needed.  Ahem.  Thank you, 3 years of combined breastfeeding.

Also, get a load of that bunching around the inset.  Yikes!  I think I'm going to have to change my idea to suit my skill level.

Here is the new Frankenstein pattern block:

This is the first time I have modified a pattern (other than changing necklines or taking in the sides), so I'm hoping for the best. 

I don't know if you can see, but the map behind me is stuck full of pins; all the places we have been and our travel fantasies for the future.  My next trip is probably back to Cape Town to host a tech transfer to UCT.  Time to start doing a little online searching for fabric, vintage and local designer shops.... 

Inspiration for Burdastyle contest

Last night we finally watched A Single Man.  We knew it would be gorgeous and stylish (how could it not be?), but I did not expect to fall so hard for this colour block dress worn by Julianne Moore.  By the time the movie was finished, I had put together these images and found the Jiffy pattern for a sheath dress with removable drape.  Seems doable, no?  I am on my way to pick up some ponti di roma and start making pattern blocks!

Burdastyle's Bernina Party Through the Decades International Competition

http://www.burdastyle.com/blog/announcing-the-bernina-party-through-the-decades-international-competition

I have ordered a whack* of vintage patterns from Etsy and I'm still waiting for most of them to arrive.  Perhaps this competition is the incentive I need to spend more than 30 stolen minutes per day on sewing and actually get something together in time? 





*Oh, and "whack" is the proper technical term for a group of patterns.  Trust me, I'm a scientist.